Markey Blue and Ric Latina are a true performing and songwriting team, and recently changed the name of their group from just Markey Blue to Markey Blue Ric Latina Project to reflect that. They also recently signed with EllerSole Records, and on April 20 they will release their newest album, “Raised in Muddy Water.” This album is a winner from start to finish.
The album opens with the title tune, “Raised In Muddy Water,” a rousing number which explains the very roots of the blues. Then the band pays homage to a couple of their heroes, with “Corina Shine (Taj Mahal Tribute)” and “A Little More I Die (Ode to John Prine.” Both of these songs feature some superb songwriting, with “Corrina SHine” being a sweet, singable song and “A Little More I Die” an exquisite answer to “Angel From Montgomery.”
Next comes my favorite track, “Red Room,” which has the same theme as “Hotel California” but as a swampy blues. It has just the right amount of spookiness, enhanced by guest Ronnie Owens on harmonica. ” Then” Mississippi Soul” delivers just what it promises and “Walking Over This Line” rings with fervent emotion.
Special guest Eddy “The Chief” Clearwater duets delightfully with Markey and trades delicious licks with Latina on “I Like It Like This,” a sweetly sexy, teasing song. It is followed by the beautiful, socially conscious ballad, “Tears All Over the World,” and another gorgeous ballad, “When I Close My Eyes.”
Delbert McClinton is another band hero, and he inspired the Markey-Latina duo to write “Come and Go(Delbert McClinton Tribute,) a Southern rock number worthy of the man himself.
The CD ends with a live (and lively) bonus track, “Drowning in His Ocean,” with guest musicians Brian Allen on bass and Wes Little on drums from Robben Ford’s rhythm section and Charlie Daniel’s keyboardist, Shannon Wickline.
The level of songwriting on this album cannot be stressed too much, nor can the ability to deliver the message of each song both musically and vocally. Markey’s voice sounds in top form and Ric’s guitar playing is spot-on as always. There is not a throwaway track in the bunch. Because so far I have loved everything they have done, I hesitate to say that this is the best yet, but it just may be. Listen and see for yourself.
Originally published in Making A Scene by Rhetta