Posted in Music, Uncategorized

Honoring Sean Costello

Seann Costello was a young musician who died some years ago. Each year, we honor his memory with an event that shares the blues music he loves and benefits The Sean Costello Memorial Fund for Bipolar Research, which seeks to help those who have the disorder that Sean had. Below is this year’s poster with the lineup and locaion for the April event.

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Posted in blues, Uncategorized

Chicken Raid!

The Chicken Raid has been a tradition at Northside Tavern for years/ It honors Mr. Frank Edwards and benefit our local blues legends and mentors. Here is this years lineup”

SATURDAY, MARCH 24 – 1pm
Wasted Potential Brass Band
BluesDude
Skye Paige
Ross Pead 
Sandra Littel
Shelton Powe
Little G Weevil
Beverly Watkins
Essie Mae Brooks & Family
Bill Sheffield
The Rainmen
Mudcat and the Atlanta Horns
Lola
Stoney Brooks
Roy Lee Johnson
Robert Lee Coleman
Albert White
Frankie’s Blues Mission
Cool John Ferguson

SUNDAY, MARCH 25 – Noon
Gospel Hour
The Radio Ramblers
Nate and Haley
Jason C Waller
Jeff Evans
Essie Mae Brooks & Family
The Rockaholics ATL
Cody Matlock
Freddie Vanderford
Mac Arnold & Plate Full O’ Blues
Dr. Dixon and François Blues
Swami Gone Bananas
Little Joey’s Jumpin’ Jive
Uncle Sugar featuring Eddie TignerChicknRaid

Posted in blues, Music, Uncategorized

Miss Freddye: Lady of the Blues

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Miss Freddye is best-known around Pennsylvania, West Virginia and Ohio, but that is about to change with Miss Freddye: Lady of the Blues. The album is co-produced by Kid Andersen and Andy Santana, who are all over it, providing guitar and harmonica respectively, and Santana also wrote many of the songs. Miss Freddye’s band really cooks, and there is an amazing horn section, too.

From the first sassy notes of “Miss Freddye’s Gonna Fix Ya,” you know you’re in good hands. “Luv Ya Baby” is the first of two duets with John”Blues” Boyd with an irresistible 70’s s sound.

The next three are rocking blues and paint a picture of a woman who might have taken some stuff in the past but isn’t going to anymore. “Lady of the Blues,” “Use the Back Door,” and ‘Home Improvement,’ all follow this theme.

“Doorway to the Blues” proves that she can swing with the best of them, with a jazzy trumpet and Andersen providing a Willie Nelson-like piano solo. while “These Are My Blues” is a more contemplative but still upbeat song with great harmonica. “Freight Train” is another a jazzy, swinging number with a vintage sound.

The album ends with a slow blues, “A Losing Battle,” which is more upbeat about infidelity than you might expect.

Miss Freddye is not breaking any barriers here. She is, as she says, a “lady of the blues.” As such, and with great support from her producers and the band, she provides a very satisfying experience with this album.

Posted in blues, Music, Uncategorized

Victor Wainwright and The Train

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Having established himself firmly in the last few years as a multiple-award winning piano player and entertainer, Victor Wainwright is making some changes. He has a new band,  The Train, a new record label, Ruff and a new album, simply called Victor Wainright and The Train, coming out March 9. I got an early listen and it’s amazing.

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As Victor says on the song “The Train”: “If you wanna boogie get aboard this train/Get yourself a ticket or get out of the way.” With these 12 original songs, this train is going exactly where Wainwright wants it to go, with stops at traditional, rock, ballads, his signature boogie, and even a side trip into psychedelia!

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It all begins with that pounding piano as Wainwright starts us off with “Healing,” a soul extravaganza with horns, organ, piano, and passionate vocals. Next is the new Orleans-flavored tale of poor Peggy and the”Wiltshire Bridge.
This is one of the songs that plays down the piano for the vocals and the organ and horns.

Then here comes the train. This one is going to pick you up and sweep you away! After Victor exhorts the band to get the train started, It goes faster and faster until it hits that ferocious piano and then ends with the horns. Whew! Wipe your forehead and get ready to switch gears for “Dull Your Shine,” with its message that ‘those who mind don’t matter, and those that matter, they don’t mind.” This one features a poignant guitar solo as well as more restrained piano and a persistent drum beat to underscore the uplifting message.

“Money” is a sly, funny soul shuffle with a message we will all recognize. It is followed by a moving and heartfelt tribute to Lucille, BB King’s guitar. It is a highlight of the album and is likely to get a lot of play on blues radio.

“Boogie Depression” is a fast boogie about the power of music to cure depression, with some real piano pyrotechnics to remind you that the man is a piano playing genius. Then the mood slows down for the slow, sweet love song, “Everything I Need.”

Switching moods again, “Righteous”  is a spooky song about “righteous” anger. Listen closely and you will get a chill. “I’ll Start Tomorrow” comes as a relief, with its funny message about procrastination.

It is followed by the entirely different, Eastern-influenced and psychedelic “Sunshine,” which features guitar, horns, and drums and a short, plaintive vocal. It really allows the band to show off their skills, and Wainwright to show that an organ can be psychedelic. Then the album ends with another sweet, slow ballad, “That’s Love To Me” It is a huge compliment in my mind that these slow songs remind me of the great Leon Russell, while still being completely Victor’s own.

Wainwright and The Train take us on one amazing journey here, with still some astounding piano but a whole lot more besides, showing that Wainwright can break out in all sorts of wonderful directions. Be prepared to jump on board, it’s coming your way soon!

Posted in Americana, blues, Music, Uncategorized

Congrats to the blues and roots Grammy winners!

Best Traditional Blues Album: “Blue & Lonesome” — The Rolling Stones

Best Contemporary Blues Album: “TajMo” — Taj Mahal and Keb’ Mo’

Best Regional Roots Music Album: “Kalenda” — Lost Bayou Ramblers

Best American Roots Performance: “Killer Diller Blues” — Alabama Shakes\

grammy

Best American Roots Song: “If We Were Vampires” — Jason Isbell, songwriter (Jason Isbell and the 400 Unit)

Best Americana Album: “The Nashville Sound” — Jason Isbell and the 400 Unit

The Rolling Stones started out as a blues band way back in the ”60s, and not only played the music bu actively supported the blues musicians who were living and working at the time, It is great to hear them get back to their roots. And surely no one can argue with the greatness of Keb Mo and Taj Mahal, a pairing that had to happen.

As for the roots and Americana artists, Alabama Shakes really were killer on :Killer Diler Blues.: And The Lost Bayou Ramblers, working with Jack White, did something very different with  Kalinda, a whole albun inspired bty one song. It was a gamble, but it paid off!

I had never heard “If We Were Vampires,” so I listened on Spotify and it is a beautiful song about love and the fear of loss and a worthy winner.

Congrats to all the winners!

Posted in blues, Music, Uncategorized

Eric Hughes – ‘Meet Me In Memphis’

Eric HughesIn Meet Me In Memphis, Eric Hughes and his band do a fabulous job of not only capturing Memphis in all its diversity but of moving smoothly from blues to blues-rock with hints of soul and country as well.

Hughes and the band start out with a powerful blues rocker, “Freight Train of Pain,” just to show what they can do. They then launch into “Meet Me in Memphis,” such a powerful ad for the city that you may find yourself packing your suitcase and heading for Beale! The voices of Reba Russell and Susan Marshal on the chorus invite you into church and the piano and organ, played by Chris Stephenson, add to the gospel flavor, while Art Edmaiston and Marc Franklin, on saxophone and trumpet add spice and beckon you to the clubs along Beale.

“Roll a Fatty For Your Daddy” is pure blues, the sort of song you might hear on a Memphis street corner back in the day. It is followed by a highlight of the album, “The Day They Hanged the Kid.” This epic piece of storytelling in song captures the grit of classic Western movies.

“Here Comes the Boogie Man” is a different kind of storytelling song, one that evokes scary movies and campfire tales, before the mood changes completely for the sweet,  slightly vintage-sounding  ballad, “:I Left My Heart at Your Place (For Donna).”

“Midtown Blues” is a humorous blues with smoking music behind Hughes’ sly vocals. It is followed by the blues-rocker, “I’m Knockin’ On Your Door,” a tale of love and suspicion. The Album ends with the charming ‘i Believe I’m Going Fishing,” an ode to that activity. It leaves you feeling good.

There are hints here of the old bluesmen, of ZZ Top and Jimmy Buffet. But mostly there’s Memphis. Hughes has done a great job of capturing his hometown, and the album is a delight.magazine

Originally published in Making A Scene Magazine