Posted in blues

The 2019 Blues Music Award Winners

Here is the complete list of Blues Music Award winners (final)
1. Acoustic Album: Journeys to the Heart of the Blues – Joe Louis Walker/Bruce Katz/Giles Robson
2. Acoustic Artist: Rory Block
3. Album: America’s Child – Shemekia Copeland
4. B.B. King Entertainer: Michael Ledbetter
5. Band: Welch-Ledbetter Connection
6. Best Emerging Artist Album: Free – Amanda Fish
7. Blues Rock Album: The Big Bad Blues – Billy F Gibbons
8. Blues Rock Artist: Eric Gales
9. Contemporary Blues Album: America’s Child – Shemekia Copeland
10. Contemporary Blues Female Artist: Danielle Nicole
11. Contemporary Blues Male Artist: Kenny Neal
12. Instrumentalist-Bass: Danielle Nicole
13. Instrumentalist-Drums: Cedric Burnside
14. Instrumentalist-Guitar: Monster Mike Welch
15. Instrumentalist-Harmonica: Dennis Gruenling
16. Instrumentalist-Horn: Vanessa Collier
17. Instrumentalist- Pinetop Perkins Piano Player: Marcia Ball
18. Instrumentalist-Vocals: Michael Ledbetter
19. Song: “No Mercy In This Land” Written By Ben Harper and Performed by Ben Harper and Charlie Musselwhite
20. Soul Blues Album: I’m Still Around – Johnny Rawls
21. Soul Blues Female Artist: Annika Chambers
22. Soul Blues Male Artist: Sugaray Rayford
23. Traditional Blues Album: The Blues is Alive and Well – Buddy Guy
24. Koko Taylor Award for Traditional Blues Female Artist: Ruthie Foster
25. Traditional Blues Male Artist: Nick Moss

Advertisements
Posted in blues, Uncategorized

Jason Ricci and JJ Appleton -“Dirty Memory”

Dirty Memory is as different as possible from Jason Ricci’s Approved By Snakes, so if that is what you are expecting, get it out of your head! Ricci has teamed up with New York City singer/songwriter JJ Appleton to give us something much more laid back. This one is pure blues, ranging from traditional to modern, but always totally acoustic and using just that amazing harmonica, guitar, bass, and vocals. And it is just about perfect.

The chemistry between Ricci and Appleton is obvious from the beginning. The album begins with “Leaning Blues,” with Appleton nailing the vocals while Ricci wails on harp and Appleton’s resonator provides the perfect backbone. Then comes Blind Willie Johnson’s “Nobody’s Fault But Mine,” giving the guitar and Appleton’s strong singing a chance to shine, with Ricci adding a charmingly playful harp solo before the end vocal. Ricci starts out “Can’t Believe It’s This Good,” while that resonator dances along with the harp and Appleton delivers the sexy vocal in a blues pop masterpiece that proves you don’t need electricity to rock!

“New Man” features sly lyrics delivered with proper attitude by Appleton with perfectly blended guitar and harp. Ricci really breaks out on the instrumental part and shows why he is a wizard on the harmonica, in my opinion, the best there is. “Jason Solo” is just that, and it is sublime, while “Just Enough” is a cool, rambling number that really illustrates the communication between the singer and the harp player.

Next, “At the Wheel Again” lets Ricci wail while Appleton delivers the vocals with the necessary urgency to match him. Then comes one of the highlights of the album. the Rolling Stones’ “Black Limousine.” Appleton delivers the vocal with plenty of swagger while Ricci’s harp complements his vocal perfectly. There’s some really nice resonator work as well. “Demon Lover” is a hypnotic swampy blues unlike anything else on the album, which leads into the crisp pop-soul of Gary US Bonds’ “It Ain’t No Use.” The album ends with the comfortable “Come On Over, Come On By,” which lets Appleton show his skill with the resonator.

For an acoustic album to work, the musicians have to sound as though they fit together. Jason Ricci and JJ Appleton fit. Aside from that, everything else works as well, with perfect song choices and superb sound quality. This is probably as near a perfect acoustic blues album as you will find this year.

Posted in blues, Music, Uncategorized

This weekend: Blues all around Atlanta March 31-April 1

pexels-photo-144428.jpeg

Happy Easter! That means only two things I know of on Sunday but Friday and Saturday are packed! Check out the listings below!

Friday

The Jess Goggans Band is at Darwin’s and Blind Willie’s celebrates its 32nd Anniversary Weekend with Sparky & Rhonda Rucker, Steve James, and The Shadows. Mudcat and the Atlanta Horns are at Northside Tavern. Big C is at Fat Matt’s and 808 is at Nik’s Place. Ravenshine visits MoonShadow Tavern. Seminole Jackson is at Two Urban Licks. There is an open jam with the Tom Hill Band at Buckeye’s Getaway and The North Mississippi Allstars continue at Eddie’s Attic. Frankie’s Blues Mission is at Maxwell’s Cigar Bar in Woodstock and The Larry Griffith Band is at The Painted Duck.

Saturday

The MuddBuggs & Music Festival takes place at Duluth Town Green, featuring Zydefunk, Trey Dahl & the Jugtime Ragband, and Machine Kid. Wavetree is at Darwin’s and Blind Willie’s continues to celebrate its 32nd Anniversary. Garrett Collins is at Fat Matt’s and Uncle Don’s Band is at MoonShadow Tavern. DynaGroove is at Nik’s Place Seminole Jackson are at Two Urban Licks. SaturDAY Drinking with Fatback Deluxe takes place at 2 pm at DJ Rockin’ Road Trip in Decatur.  David T & Friends are at Smith’s Olde Bar and The Kerry Hill Band is at the Utopia Bar, in John’s Creek.

Sunday

Uncle Sugar is at Northside Tavern.  Bean & Bear and  Hey!Alligator are at Darwin’s.

That’s it! Have fun and keep on bluesin’!

Posted in Americana, blues, Uncategorized

Peter Karp – ‘Blue Flame’

Peter Karp

Blue Flame

Peter Karp is soon to release a new album, Blue Flame. The title, according to the liner notes, comes from a conversation with the great bluesman and songwriter Willie Dixon. Dixon told Karp, “When it’s honest and real it burns hot, like a blue flame.”

Karp took those words to heart, and these songs deal with real personal issues and feelings to which listeners can relate. He handles it all with a wry humor and songwriting skill. Add to that Karp’s strong, true voice, and ability to play a host of instruments including National steel guitar, harmonica, and various keys, plus a hand from some talented friends and it is no surprise that this is an excellent album. Some of the songs also appeared on Karp’s album The Arson’s Match in 2016, including “The Arson’s Match,” but even if you have that album, you will enjoy hearing them here along with the new songs. They fit together so well to tell a coherent story.

The first song, “Rolling On A Log,” establishes a recurring theme in the album: trying to keep your balance no matter what life throws at you. In this case, life was throwing pretty hard stuff, but Peter’s still on that log. Kim Wilson adds some tasty harmonica. Next, “Train O’ Mine” brings up another theme, which is to keep on moving on, leaving trouble behind and heading for the next thing. It’s a driving song with some great harmonica,

A change of pace comes with my personal favorite track, “Your Prettiness.” Here Karp recites a long list of his woman’s attributes that make you wonder where he found that “prettiness.” She cusses, wears tacky clothes, has bad skin, bad teeth, messy hair, but hey, she’s pretty. Karp’s droll delivery here reminds me strongly of Lyle Lovett, a comparison I have made in writing of Karp’s work before This song will make you laugh if you are not dead.

“Valentine’s Day” is a lilting love song for a holiday that really does need more songs, In it, Karp lists all the things he appreciates about his woman and then in the spoken outro, he lists his offerings:”I’ve got the candy, I’ve got the flowers…:” This one is so much fun and you know it is getting played at our house on February 14.

The rocking “Treat Me Right” takes on a serious message in a deceptively light way as Karp explains how he told his woman she just doesn’t treat him right. “The Turning Point” then takes us into a completely serious, yearning look into the heart of a man who knows things have to change. This is a true “blue flame” song.

“Loose Ends” returns to wry humor as Karp explains the ways the loose ends always get you. I could not help but compare it to Alanis Morrisette’s “Ironic,” though Peter’s version is far more entertaining.

“The Arsons Match” is the title song from Karp’s CD that I reviewed in 2016. That was a live recording from 2004 that was lost for nearly 10 years and then rescued and ultimately released. It features Mick Taylor and this track uses an upbeat blues style to tell the true story of how an arson burned Karp’s house and everything he owned.

“From Where I Stand” has more than a touch of early Dylan in the delivery. It’s a song about family and loss and not knowing what you have until it rushes by. “You Know” is straight up blues about the lessons you only learn alone in the dark. Fantastic harp on this one.

As we near the end of the album, “Round and Around” reminds me of the late Tom Petty as Karp examines the circular nature of relationships. “Young Girl” ends the recording with an old man delivering the message of it all to a young girl who doesn’t know what to do: you keep on. Karp’s raspy-voiced delivery of the old man’s words is perfect.

Peter Karp is one of those people who is keeping the singer/songwriter tradition alive. Blue Flame is a worthy addition to that tradition and a must for your collection.

peter karp

Posted in blues, Music, Uncategorized

BREAKING: 2018 Blues Music Award nominees announced: Taj Mahal, Mavis Staples, Keb’ Mo’, N. Mississippi Allstars among nominees

From The Blues Foundation:

BREAKING: 2018 Blues Music Award nominees announced: Taj Mahal, Mavis Staples, Keb’ Mo’, N. Mississippi Allstars among nominees.

TAJ MAHAL, KENNY WAYNE SHEPHERD, ROBERT CRAY, NORTH MISSISSIPPI ALL-STARS, MAVIS STAPLES AND KEB’ MO’  NUMBER AMONG THE NOMINEES FOR THIS YEAR’S
BLUES MUSIC AWARDS 

Winners will be announced at the Blues Foundation’s Gala Ceremony on May 10th In Memphis

MEMPHIS, Tenn. – The nominees for the 39th Annual Blues Music Awards represent a prestigious collection of acclaimed performers and rising stars that reflect the breadth and diversity of today’s blues music scene. It encompasses North Mississippi Allstars’ updated Hill Country stomps and Mavis Staples’ gospel-infused soul as well as Taj Mahal’s eclectic global fusion and Kenny Wayne Shepherd’s fiery blues rock. The Blues Music Awards, which is universally recognized as the top accolade afforded blues musicians, upholds blues’ rich cultural traditions while every year honoring the exceptional achievements in performances, recordings and songwriting.

The Blues Foundation will present the 39th Annual Blues Music Awards on Thursday, May 10th at 7 p.m. at The Memphis Cook Convention Center. Individual tickets cost $150 per person; Regular Tables for 10 are $1,500 and Premium Tables for 10 are $1,800 each. All tickets can be purchased atwww.blues.org beginning January 9th. The Blues Foundation’s block of rooms at the Sheraton Memphis Downtown Hotel will be open for reservations on January 9th; and Sheraton reservation links will be up on blues.org that day too. The Awards show is a premier event for blues musicians, professionals, and fans around the globe because not only do almost all the nominees attend the ceremony but they typically perform at it too.

Leading the nomination pack for this year’s BMAs is harmonica wizard Rick Estrin. With his group The Nightcats, Estrin is up for Band of the Year, as well as Album of the Year and Traditional Blues Album for Groovin’ In Greaseland. Estrin, a past BMA winner, also is up for Traditional Blues Male Artist, Best Instrumentalist: Harmonica, B.B. King Entertainer of the Year and Song of the Year for his tune “The Blues Ain’t Going Nowhere.” Additionally, Nightcats’ guitarist Christoffer “Kid” Andersenis among the Instrumentalist-Guitar contenders.

The B.B. King Entertainer of the Year and Song of the Year look to be hotly contested categories because they feature acts with multiple nominations. Don Bryant (4 nominations) and Wee Willie Walker (5 noms) are contenders in both categories. Estrin, meanwhile, faces the duo Mike Ledbetter and Monster Mike Welch for Album of the Year, Traditional Blues Album, and Band of the Year. Ledbetter also is a B.B. King Entertainer of the Year contender and is in the running for Contemporary Blues Male Artist and Instrumentalist–Vocals, while Welch ranks among the Instrumentalist–Guitar finalists. Another multiple nominee, The North Mississippi Allstars will battle Estrin and Ledbetter & Welch for Band of the Year and are competing for Song of the Year and Rock Blues Album honors too.

This year, the Blues Foundation will be handing out 26 BMAs as they have added a pair of new categories. There now is a Blues Rock Artist of the Year award to go along with Blues Rock Album of the Year. Kenny Wayne Shepherd, Mike Zito, Walter Trout, Jason Ricci and Eric Gales are all candidates for this honor. The other new category is Instrumentalist-Vocals, which will honor the great voices that make songs so memorable. Beth Hart, Don Bryant, John Nemeth, Michael Ledbetter, Sugaray Rayford and Wee Willie Walker compose this category’s impressive list of performers.

Several winners from last year’s BMAs are back among 2018’s nominees. Curtis Salgado, a triple winner in 2017, will try to retain his Soul Blues Male Artist award, while Diunna Greenleaf and Lurrie Bell, the reigning Female and Male Traditional Blues Artists respectively, are returnees in those categories. Bobby Rush, who took home Best Album and Best Historical Album honors last year, is one of the B.B. King Entertainer of the Year candidates. 2017’s Acoustic Artist of the Year Doug MacLeod now is an Acoustic Album of the Year nominee. Multiple BMA winner Kim Wilson will attempt to hold on to his Instrumental: Harmonica crown in conjunction with nominations for Traditional Blues Album, Blues and Boogie Vol.1, and Traditional Blues Male Artist while another multi-BMA honoree Victor Wainwright has a chance to win the Instrumentalist Pinetop Perkins Piano Player again.

The Best Emerging Artist Album category offers a snapshot of blues’ multi-generational, geographically diverse appeal. Nominees include a couple of young acts: the Southern multi-instrumentalist blues duo Larkin Poe composed of the Atlanta-bred, Nashville-based Lovell Sisters, and Southern Avenue, a power-packed Memphis band whose debut disc came out on their hometown Stax Records. The Altered Five Blues BandMiss Freddye, and Tas Cru are regional success stories (Milwaukee, Pittsburgh, and Upstate New York, respectively) that are attracting more attention in the music world. Lastly, there’s the second-ever album from R.L. Boyce, who has lived, and made music, in Mississippi’s Hill Country for over five decades.

Blues’ vibrant heritage is wonderfully demonstrated in the five choices for Historical Album of the Year. Live at Notodden ’97 presents a previously unissued Norwegian blues festival live recording that captures the Paul deLay Band in their prime. Sony Legacy’s American Epic: The Collectionsoundtrack fills five discs with blues and all sorts of other Americana sounds from the acclaimed PBS TV series. Commemorating the 20th anniversary of his death, Luther Allison: A Legend Never Dies 1976-1997 represents Ruf Records’ comprehensive Luther Allison boxset, boasting 7 CDs and 4 DVDs. Craft Records compiled 100 John Lee Hooker songs (including rarities, live recordings and several previously unreleased tracks) into King of the Boogie to celebrate Hooker’s centennial anniversary. Craft also put together Mr. Luck: The Complete Vee-Jay Singles, a 3-CD feast of Jimmy Reed’s work from the early 1950s through the mid-1960s.

The complete list of 39th Blues Music Award nominees can be found below as well as on the Blues Foundation’s website, www.blues.org. A ballot will be sent soon to all Blues Foundation members as they have the privilege of deciding which nominees actually will take home a Blues Music Award in May. Membership to The Blues Foundation will remain open through the entire voting period from January 23rd to March 1st and ballots will be sent to new members as they join the organization by clicking on the Join Now button when visiting blues.org.

Major funding for the Blues Music Awards is provided by ArtsMemphis and Tennessee Arts Commission. The 39th BMAs also are sponsored by AutoZone, BMI, Ditty TV, First Tennessee Foundation, Gibson Foundation, and Memphis Convention and Visitors Bureau.

The Blues Foundation is known around the world as being THE organization whose mission is to preserve blues heritage, celebrate blues recording and performance, expand worldwide awareness of the blues, and ensure the future of this uniquely American art form. Founded in 1980, the Memphis-based Blues Foundation has approximately 4,000 individual members and 200 affiliated local blues societies representing another 50,000 fans and professionals around the world. Its signature honors and events – the Blues Music Awards, Blues Hall of Fame, International Blues Challenge and Keeping the Blues Alive Awards – make the Blues Foundation the international center of blues music. For more information, log onto www.blues.org.

39th Blues Music Award Nominees

Acoustic Album of the Year

Catfish Keith – Mississippi River Blues
Doug MacLeod – Break the Chain
Guy Davis & Fabrizio Poggi – Sonny & Brownie’s Last Train
Harrison Kennedy – Who U Tellin’?
Mitch Woods – Friends Along The Way
Rory Block – Keepin’ Outta Trouble

Acoustic Artist
Doug McLeod
Guy Davis
Harrison Kennedy
Rory Block
Taj Mahal

Album of the Year
Don Bryant – Don’t Give Up on Love
Monster Mike Welch and Mike Ledbetter – Right Place, Right Time
Rick Estrin & The Nightcats – Groovin’ In Greaseland
TajMo – TajMo
Wee Willie Walker & The Anthony Paule Soul Orchestra – After a While

Band of the Year
The Cash Box Kings
Monster Mike Welch and Mike Ledbetter
Nick Moss Band
North Mississippi Allstars
Rick Estrin & the Nightcats

 B.B. King Entertainer of the Year
Bobby Rush
Michael Ledbetter
Rick Estrin
Sugaray Rayford
Taj Mahal

Best Emerging Artist Album
Altered Five Blues Band – Charmed & Dangerous
Larkin Poe – Peach
Miss Freddye – Lady of the Blues
R.L. Boyce – Roll and Tumble
Southern Avenue – Southern Avenue
Tas Cru – Simmered & Stewed

Contemporary Blues Album of the Year

Beth Hart – Fire on the Floor
Corey Dennison Band – Night After Night
Ronnie Baker Brooks – Times Have Changed
Selwyn Birchwood – Pick Your Poison
TajMo – TajMo

Contemporary Blues Female Artist
Beth Hart
Karen Lovely
Samantha Fish
Shemekia Copeland
Vanessa Collier

Contemporary Blues Male Artist
Keb’ Mo’
Michael Ledbetter
Ronnie Baker Brooks
Selwyn Birchwood
Toronzo Cannon

 Historical Album of the Year
Jimmy Reed, Mr. Luck: The Complete Vee-Jay Singles – Craft Recordings
John Lee Hooker, King of the Boogie – Craft Recordings
Luther Allison, A Legend Never Dies – Ruf Records
The Paul deLay Band, Live at Notodden ’97 – Little Village Foundation
Various, American Epic: The Collection – Sony Legacy

Instrumental-Bass
Benny Turner
Bob Stroger
Larry Fulcher
Michael “Mudcat” Ward
Patrick Rynn

Instrumentalist-Drums
Jimi Bott
June Core
Kenny Smith
Tom Hambridge
Tony Braunagel

 Instrumentalist-Guitar
Anson Funderburgh
Chris Cain
Christoffer “Kid” Andersen
Monster Mike Welch
Ronnie Earl

Instrumentalist-Harmonica
Billy Branch
Dennis Gruenling
Jason Ricci
Kim Wilson
Rick Estrin

 Instrumentalist-Horn
Al Basile
Jimmy Carpenter
Nancy Wright
Trombone Shorty
Vanessa Collier

 Instrumentalist- Pinetop Perkins Piano Player
Anthony Geraci
Henry Gray
Jim Pugh
Mitch Woods
Victor Wainwright

 Instrumentalist – Vocals
Beth Hart
Don Bryant
John Németh
Michael Ledbetter
Sugaray Rayford
Wee Willie Walker

Koko Taylor Award (Traditional Blues Female)
Annika Chambers
Diunna Greenleaf
Janiva Magness
Miss Freddye
Ruthie Foster

Rock Blues Album of the Year
Kenny Wayne Shepherd Band – Lay It On Down
Mike Zito – Make Blues Not War
North Mississippi Allstars – Prayer for Peace
Savoy Brown – Witchy Feelin’
Walter Trout – We’re All In This Together

Rock Blues Artist
Eric Gales
Jason Ricci
Kenny Wayne Shepherd
Mike Zito
Walter Trout

Song of the Year
“The Blues Ain’t Going Nowhere” – written by Rick Estrin
“Don’t Give Up On Love” – written by Scott Bomar and Don Bryant
“Don’t Leave Me Here” – written by Kevin R. Moore, Taj Mahal, and Gary Nicholson
“Hate Take a Holiday” – written by Willie Walker, Anthony Paule, and Ernie Williams
“Prayer for Peace” – written by Luther Dickinson, Cody Dickinson, and Oteil Burbridge

Soul Blues Album of the Year
Don Bryant – Don’t Give Up on Love
Johnny Rawls – Waiting for the Train
Robert Cray & Hi Rhythm – Robert Cray & Hi Rhythm
Sugaray Rayford – The World That We Live In
Wee Willie Walker & The Anthony Paule Soul Orchestra – After a While

Soul Blues Female Artist
Bettye LaVette
Denise LaSalle
Mavis Staples
Trudy Lynn
Vaneese Thomas

Soul Blues Male Artist
Curtis Salgado
Don Bryant
Johnny Rawls
Sugaray Rayford
William Bell
Wee Willie Walker

  Traditional Blues Album of the Year
The Cash Box Kings – Royal Mint
Elvin Bishop’s Big Fun Trio – Elvin Bishop’s Big Fun Trio
Kim Wilson – Blues and Boogie Vol. 1
Monster Mike Welch and Mike Ledbetter – Right Place, Right Time
Rick Estrin & The Nightcats – Groovin’ In Greaseland
Various Artists – Howlin’ At Greaseland

Traditional Blues Female Artist
Annika Chambers
Diunna Greenleaf
Janiva Magness
Miss Freddye
Ruthie Foster

 Traditional Blues Male Artist
John Primer
Kim Wilson
Lurrie Bell
R.L. Boyce
Rick Estrin

# # #

For more information regarding the 39th Annual Blues Foundation’s Blues Music Awards,
please contact Conqueroo: Cary Baker • (323) 656-1600 • cary@conqueroo.com
Wendy Brynford-Jones • (818) 762-7063 • wendy@conqueroo.com

January 9th, 2018
Posted in blues, Music

Cody Matlock in Marietta

We went to see Cody Matlock at “Wingstock” at the Wing Cafe in Marietta., with Daniel Harper and Jon Schwenke. The crowd was pretty small , mostly families with kids. I am not sure they knew they were watching two legendary musicians  with that incredibly talented young man but the quality of the music was undeniable and it was a great show! Talking to Cody afterward,  I was struck once again at what a thoroughly  likeable young  man he is. As one of the listeners told him while I was standing there, “You’re so bad on stage, man, and so good off it.”  And it’s true. He and the band can play funk, soul and blues so amazingly well and still be friendly and fun to talk to. At least Cody and Daniel are, and I’m sure Jon is as well, although I’ve not had an opportunity to talk to him yet.

Friday is Cody’s first Friday night at Blind Willie’s in Atlanta. Go see him so you can say you knew him when when he gets big, like he is going to. and you can see him every Thursda night at Darwin’s in Sandy Springs!

KODAK Digital Still Camera

 

 

 

 

Posted in Celebrity musicians, Music

KIEFER SUTHERLAND ANNOUNCES NATIONWIDE 26-CITY TOUR AND DEBUT ALBUM ‘DOWN IN A HOLE’

KIEFER SUTHERLAND ANNOUNCES NATIONWIDE 26-CITY TOUR AND DEBUT ALBUM ‘DOWN IN A HOLE’

‘Down In A Hole’ Set for Release This Summer

https://gallery.mailchimp.com/bf141dbbd818f4f933816b13a/images/03455cbd-159c-42b5-99ca-6ed5ca5148cb.jpg
NASHVILLE, Tenn. (March 10, 2016) – Kiefer Sutherland will bring his rich, soulful vocals and guitar licks to venues across the country beginning April 14 when he performs for audiences with a set list that includes cuts from his folk-tinged album, Down In A Hole, set for release this summer.

Sutherland, known for his starring role on the Fox series “24,” will bring his debut tour as a musician to 26 venues across the country beginning April 14. More dates will be added.

A professional actor his entire adult life, Sutherland starred in movies like ‘Stand By Me’, ‘The Lost Boys’, ‘Young Guns’, Flatliners’, ‘A Few Good Men’, ‘A Time to Kill’, ‘Dark City’, ‘Melancholia’ and most recently, a western called ‘Forsaken’ and the upcoming ABC series “Designated Survivor.”

Unknown to many during the course of his career, he has taken on other vocations with the same kind of dedication and commitment. In 2002, Sutherland, with his music partner and best friend Jude Cole, began a small record label called Ironworks. The goal of this label was to record local musicians and distribute their music at a time when the music industry was going through a monumental shift. Some of their artists included Rocco DeLuca and the Burden, HoneyHoney and Billy Boy On Poison. In 2009, Sutherland left the label to recharge and figure out what he was going to do next.

In early 2015 Sutherland played Cole two songs he had written and wanted to record as demos for other artists to record. Cole responded positively to the songs and the album grew organically from those recordings. Two songs became four and four grew into six, until Cole suggested that they make a record. Their collaboration resulted in Sutherland’s upcoming debut album: Down In A Hole.

“It’s the closest thing I’ve ever had to a journal or diary. All of these songs are pulled from my own personal experiences. There is something very satisfying about being able to look back on my own life, good times and bad, and express those sentiments in music. As much as I have enjoyed the writing and recording process, I am experiencing great joy now being able to play these songs to a live audience, which was something I hadn’t counted on,” Sutherland said of the 11-track album. A track listing and release date will be announced soon.

Stay social with Kiefer Sutherland by following him on Twitter and Facebook.

KIEFER SUTHERLAND ON TOUR:
April 14 Milwaukee, Wis. – Shank Hall
April 15 Madison, Wis. – Majestic
April 16 Grand Rapids, Mich. – The Pyramid Scheme
April 18 Ann Arbor, Mich. – The Ark
April 19 Cleveland, Ohio – Grog Shop
April 20 Pittsburgh, Pa. – Hard Rock Cafe
April 22 Huntington, W. Va. – V Club
April 23 Cincinnati, Ohio – Ballroom at the Taft
April 24 Indianapolis, Ind – Vogue
April 26 Columbus, Ohio – A&R Music Bar
May 04 Charlotte, N.C. – Visulite Theatre
May 06 Raleigh, N.C. – Lincoln Theatre
May 08 Richmond, Va. – Capital Ale House
May 09 Annapolis, Md. – Ram’s Head Tavern
May 11 Wilmington, Del. – World Cafe Live
May 12 Teaneck, N.J. – Mexicali Live
May 14 Pawling, N.Y. – Daryl’s House
May 15 Ithaca, N.Y. – The Dock
May 16 Buffalo, N.Y. – Iron Works
May 19 Northampton, Mass. – Iron Horse
May 20 Boston, Mass. – Brighton Music Hall
May 21 Providence, R.I. – The Met
May 24 Asbury Park, N.J. – Stone Pony
May 25 Long Island, N.Y. – Founders Room
May 26 Sellersville, Pa. – Sellersville Theater
May 28 Amagansett, N.Y. – Stephen Talkhouse